![]() The pictures on the scroll are beautifully animated using a cel-shaded ink-on-paper effect, and the story, though a little generic, has a certain fairy tale charm to it. It’s a fairly standard expository scene, though very well-executed. He tells of the Intoners, five goddesses who descended from the heavens onto a turbulent world, bringing peace through the power of their song. It sounded like NieR sometimes and it sounded like past DOD games sometimes.We open on an old man telling the story of the world’s creation while looking over an old scroll. ![]() I can't say I ever felt like DOD3's OST was consistent. Even when there are deviations from the typical music, it still feels like it all belongs to the same album. In the end, both games have OSTs that create one solid and consistent sound. ![]() Is it electric rock? Experimental orchestra? Gregorian-esque? Transformational ballads? Of course, it's all of that but it never comes together to feel like one product.Ĭonversely, NieR Gestalt/Replicant really blows any other OST out of the water, though, and NieR Automata is just as beautiful but not as perfect as NieR Gestalt/Replicant. It's frantic which matches the Drakengard/Drag-On Dragoon series but it also means that the OST doesn't know what it is. Overall, though? It's a very weak OST brought down by the lack of cohesion. There are definitely some amazing stand-outs in DOD3 like Kuroi Uta, Final Song, This Silence is Mine, Descendeus, Aethervox, and of course the iconic Exhausted.
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